Remote
colour grading.
Send footage from anywhere. Graded in DaVinci Resolve, reviewed through Frame.io, delivered in the formats you need — no shoot required.
Colour grading does not require anyone to be in the same room, and it has not for years. If you have footage and need it finished properly, location is irrelevant to the outcome.
This is a standalone post service for filmmakers, editors, agencies, production companies and content teams anywhere in the world.
How the process runs
- Send a sample. Before anything is booked, send thirty seconds of representative footage. You get an honest assessment of what the grade can achieve and a fixed quote.
- Transfer the project. Upload via Frame.io, Dropbox, Google Drive or WeTransfer — a locked edit as a reference file, plus camera originals or an XML/AAF/EDL for a full round trip.
- Share references. Stills, film titles, a mood board, or an existing piece of yours to match. The more specific the reference, the fewer rounds needed.
- First pass in three to five days. Delivered as a review link with timestamped commenting.
- Two revision rounds included. Comment directly on the frame rather than describing it in an email.
- Final delivery. Masters in your required codec and colour space, plus platform exports.
What you get
- Shot-by-shot balance and normalisation
- Shot matching across cameras, days and lighting conditions
- Creative grade built to your reference — not a LUT applied globally
- Dedicated skin tone work across all complexions
- Film emulation, halation and grain where appropriate
- Correct delivery encoding for broadcast, web and social
Formats accepted
Sony S-Log3, Canon C-Log and C-Log3, Panasonic V-Log, Blackmagic BRAW, RED R3D, ARRI LogC, Apple ProRes Log and standard rec.709. 8-bit sources are accepted with an honest caveat about how far the grade can be pushed.
Why remote works
The old argument for in-person grading was the calibrated room. That still matters for theatrical delivery — but if your project is finishing on web, social, streaming or broadcast, a remote grade reviewed on a colour-managed pipeline is functionally identical, considerably cheaper, and does not require anyone to fly anywhere.
Timezones are not an obstacle. Reviews are asynchronous by design.
Common questions
Yes. Footage transfers digitally, the grade happens in a colour-managed DaVinci Resolve pipeline, and review runs through Frame.io with timestamped comments on the frame. For anything finishing on web, social, streaming or broadcast the result is identical to an in-person session.
Frame.io, Dropbox, Google Drive or WeTransfer all work. For larger projects a physical drive can be shipped. You send either camera originals with an XML round trip, or a flattened locked edit.
A first pass is typically returned within three to five days for short-form work. Longer or multi-camera projects are quoted with a specific timeline before booking.
Yes. The process is asynchronous, so timezone differences make no practical difference to turnaround.
Two revision rounds are included as standard, with comments made directly on the frame. Sending clear visual references up front is the single biggest factor in getting the first pass close.
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Send the date, the location and what the finished piece needs to do.