Frames that
carry weight.

02 — Approach

One person.
Concept to grade.

Most projects lose something in the handoff — the treatment says one thing, the edit says another, and the grade never quite matches the reference. I direct, shoot, cut and colour, which removes the handoff entirely.

That means one point of contact, one creative intent, and a final cut that looks like what was promised. For clients it's fewer vendors and a shorter timeline. For the work, it's consistency.

The same applies in reverse: if you already have footage, I take post-only work as an editor and colorist — remotely, from anywhere.